Which is just silly – we think it needs to be customisable as to how reactive it should be, as many users would leave this active at all times for rapid adjustment of important settings. Problem is it needs to be tapped to activate it, then press-and-held before it'll fully engage. It's fully programmable, so you can have it toggle between, say, ISO sensitivity, AF area types, white balance and so on. Principal to the R's additions is what's called the M-Fn Bar, a left/right tap-touch bar on the rear that's not a clickable set of buttons, moreso a sensor. See, change is good and bad all at the same time, eh? Which brings some clever ideas along with some slightly taxing ones. That said the EOS R is smaller than a DSLR like the 5D Mark IV, for example, thus the mirrorless system's layout has changed to adapt for its smaller footprint. So don't buy the EOS R if you're looking for an ultra trim and portable system it's a full-frame setup and it truly feels like it. Yet the 28-70mm f/2 and 50mm f/1.2 RF lenses are massive optics. Part of the point of the EOS R having a new lens mount is for the shorter flange back distance (it's 20mm between rear of lens and the sensor) making it possible to create lenses smaller than their DSLR (EF mount) equivalents. Even the second-stage release from Canon, the RP, is a lower-end model aimed at offering greater simplicity – when we think what Canon needs to do is go head-on against Nikon and release a top-end R instead (an Rx or something). Offering 30-megapixels only magnifies the chance of image blur too. Existing Canon DSLR users may find the new layout and buried settings a little difficult to master from the off, while autofocus would benefit from more precision, plus continuous autofocus tracking can't out-rank a top-spec Canon DSLR in our opinion. However, the EOS R isn't perfect at every turn. The ability to focus in near darkness, the potential for exceptional image quality, full-fat 4K video treatment to challenge Canon's Cinema range, and where the new RF lens line-up could take things – the 50mm f/1.2 might be expensive, but it's exceptional from what we've seen – are all exciting points. Nope, this full-frame mirrorless is a major turning point for Canon, embodying both risk and reward in one very capable and commendable product. The Canon EOS R isn't just a mirrorless version of the 5D Mark IV DSLR. So is the vision of Canon's full-frame future a change for the better or a step too far? With Nikon, Panasonic and others now in the full-frame space, it's a hard game to champion.
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